Andy Warhol – Pop, Bohème and Underground

Andy Warhol: ‘Mammy (FS II.262)’ 1981, screenprint, signed, edition of 200, size: 38 x 38 in

Andy Warhol: ‘Mammy (FS II.262)’ 1981, screenprint, signed, edition of 200, size: 38 x 38 in. Price upon request

Also available:

Andy Warhol, from  Myths Portfolio MAMMY 1981, Silkscreen, with diamond dust, not signed and numbered, Paper size 38 x 38 inch,

Andy Warhol, from  the Myths Portfolio: MAMMY 1981, Silkscreen, with diamond dust, not signed and numbered, Paper size 38 x 38 inch,  Price upon request

 

About this Artwork

Of his silkscreens, Warhol has said “the reason I’m painting this way is that I want to be a machine, and I feel that whatever I do and do machine-like is what I want to do.” Indeed, machine-like precision and mimicry appear repeatedly in works of this medium. The screenprinting process was a variation of stenciling. Warhol had a streamlined process in producing silk screen prints. First, he laid a photograph on to the mesh of a silk screen. Afterwards, he passed an ink-covered squeegee over the mesh. The ink would pass through the mesh and impress a print of the image onto the canvas underneath. The choice of ink depended on the intended composition of the final product. Warhol was able to apply multiple colors to create a layering effect, thus a different color composition could be made each time. He used a variety of canvases and papers.Warhol’s best known silk screen prints include his iconic portfolio of Marilyn Monroe: Marilyn Monroe (Marilyn), 1967 and Elizabeth Taylor (Colored Liz), 1963, Grace Kelly. Producing art in a systematic manner similar to an assembly line, Warhol gave rise to series or portfolios of his beloved celebrities. Even today, these massively recognizable images serve as a beacon of popular culture.

About Andy Warhol

The American artist and filmmaker Andy Warhol was born Andrew Warhola in 1928 and died in 1987. Warhol first found success as an award-winning commercial artist in New York. He soon put the commercial techniques he learned as an illustrator to work in his now-famous studio, dubbed the “Factory.” Appropriately enough, the artist once said, “I want to be a machine, ” reiterating the commercial, serial themes displayed in his paintings. Surrounding himself with a notorious coterie of assistants – from drifters and junkies to musicians and “poor little rich kids” – Warhol installed himself in his Factory, which itself quickly became New York’s most famous counter-culture nucleus. Ghostly pale and silver-wigged, Andy Warhol has become an icon himself, an impenetrable enigma who became one of the most singularly identifiable figures of the turbulent sixties. And while Warhol’s work may be best known for its stark reflections of popular and commercial culture, the artist did not hesitate to explore some of the more sinister traits of his era – from war and criminality. His grainy images of highway accidents and his serial panels of the handgun or the electric chair seem to drown emotion while at the same time recovering some of the shock power lost in the media’s trivialization of disaster. Warhol’s work has been called both naive and sophisticated, thought-provoking and mindless, superficial and profound, and the furor he created refuses to die down – more than a decade after the artist’s death.

 

Andy Warhol, Grace Kelly, 1984, F&S II.305, hand signed and numbered in pencil. Printer Rupert Jasen Smith, New York. Publisher Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania with the consent of the Princess Grace Foundation (U.S.A.) New York. Andy Warhol Prints Catalogue Raisonne 1962-1987 Feldman/Schellmann Fourth Edition II.305, edition of 225, Screenprint on Lenox Museum Board, 40" x 32" (101.6 cm x 81.3 cm)

Andy Warhol: ‘Grace Kelly’, 1984, F&S II.305, silkscreen, hand signed and numbered in pencil. Printer Rupert Jasen Smith, New York. Publisher Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania with the consent of the Princess Grace Foundation (U.S.A.) New York. Andy Warhol Prints Catalogue Raisonne 1962-1987 Feldman/Schellmann Fourth Edition II.305, edition of 225,  Silkscreen on Lenox Museum Board, 40″ x 32″ (101.6 cm x 81.3 cm). Price upon request.

 

Andy Warhol, Neuschwanstein, 1987, Screenprint on rag paper, 85 x 60 cm (33½ x 23½ in.), signed and numbered, edition of 100Andy Warhol: ‘Neuschwanstein’, 1987, Screenprint on rag paper, size: 85 x 60 cm (33½ x 23½ in.), signed and numbered, edition of 100.  Price upon request

Andy Warhol - Joseph Beuys in Memoriam 1986, From the portfolio For Joseph Beuys Silkscreen on rag paper, 80 x 60 cm (31½ x 23½"). Edition of 90 + XXX, signed and numberedAndy Warhol: ‘Joseph Beuys in Memoriam’, 1986, silkscreen on rag paper, signed and numbered. From the portfolio For Joseph Beuys, size: 80 x 60 cm (31½ x 23½”). Edition of 90 + XXX. Price upon request

 

Andy Warhol Mao 1974 Screenprint on wallpaper, 102 x 75 cm (40¼ x 29½ in.), approx.100 signed from an unlimited edition.

Andy Warhol: ‘Mao’, 1974, screenprint on wallpaper, signed, edition of approx. 100 signed from an unlimited edition. Size: 102 x 75 cm (40¼ x 29½ in.) Price upon request

 

Andy Warhol: Marilyn Monroe – Ludwig Museum 1990, silkscreen, limited edition of 4000, paper size: 47 x 33 in  (119 x 84 cm.). Created for the Andy Warhol retrospective at the Ludwig Museum, Köln, 1990, Germany.  Price upon request

Warhol, Andy Endangered Species BALD EAGLE 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 inch very good/excellent condition, Provenance: Private Collection, New York.

Andy Warhol, from the series Endangered Species, BALD EAGLE 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 in/ 96,5 x 96,5 cm, very good/excellent condition, Provenance: Private Collection, New York.  Price upon request

Andy Warhol, Endangered Species BLACK TIGER; 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 inch very good/excellent condition Provenance: Private Collection, New York.

Andy Warhol, from the serie Endangered Species: TIGER, 1983, Silkscreen, not signed and numbered. Paper size 38 x 38 inch very good/excellent condition. Provenance: Private Collection, New York. Price upon request

 

Andy Warhol, Endangered Species AFRICAN ELEPHANT, 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 inch, mages size 38 x 38 inch, very good/excellent condition. Provenance: Private Collection, New York.

Andy Warhol, from the series Endangered Species, AFRICAN ELEPHANT, 1983, silkscreen, not signed and numbered, paper size 38 x 38 inch / 96,5 x 96,5 cm, very good/excellent condition. Provenance: Private Collection, New York.  Price upon request 

 

Andy Warhol, Endangered Species BLACK RHINOCEROS 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 inch very good/excellent condition Provenance: Private Collection, New York.

Andy Warhol, from the series Endangered Species: BLACK RHINOCEROS, 1983, Silkscreen, not signed and numbered, Paper size 38 x 38 inch  / 96,5 x 96,5 cm, very good/excellent condition Provenance: Private Collection, New York.  Price upon request

Andy Warhol, Details of Renaissance Paintings 1984, (Paolo Uccello, St. George and the Dragon) Set of 4 screenprints on rag paper, each print 81 x 112 cm (32 x 44 in.), each signed and numbered. Edition of 50.

Andy Warhol: ‘Details of Renaissance Paintings’, 1984, (Paolo Uccello, St. George and the Dragon). Set of 4 screenprints on rag paper, each print 81 x 112 cm (32 x 44 in.), each signed and numbered. Edition of 50.  Price upon request

Details:

Andy Warhol: 'Details of Renaissance Paintings', 1984, (Paolo Uccello, St. George and the Dragon). Set of 4 screenprints on rag paper, each print 81 x 112 cm (32 x 44 in.), each signed and numbered. Edition of 50.

 

Andy Warhol - Details of Renaissance Paintings, 1984

 

Andy Warhol - Details of Renaissance Paintings, 1984

 

Andy Warhol - Details of Renaissance Paintings, 1984

 

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Double Elvis by Andy Warhol, offset lithograph, Paper size: 21 x 39.1/2 inch (53.5 x 99.7 cm) Images size: 18.3/4 x 19.1/4 in. (49.1 x 48 cm) very good conditionAndy Warhol, Double Elvis, offset lithograph, paper size: 21 x 39.1/2 inch (53.5  x  99.7 cm), image size: 18.3/4 x 19.1/4 in. (49.1 x 48 cm) very good condition.  Price upon request

 

Andy Warhol, Sunday B Morning, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by, lowers-11-65, Sunday B. Morning included.

Andy Warhol, Sunday B Morning, Flowers-11-65, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-64, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included

Andy Warhol, Sunday B Morning, Flowers-11-64, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-66, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included. 

Andy Warhol, Sunday B Morning, Flowers-11-66, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon requestAndy Warhol, Sunday B Morning, Flowers-11-67, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included.

Andy Warhol, Sunday B Morning, Flowers-11-67, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-68, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included. 

Andy Warhol, Sunday B Morning, Flowers-11-68, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-69, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-69, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

Andy Warhol, Sunday B Morning, Flowers-11-73, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: "Published by Sunday B. Morning" and "Fill in your own signature". These prints are found in Feldman & Schellmann's "Andy Warhol's Catalogue Raisonne". Certificate of authenticity issued by Sunday B. Morning included.

Andy Warhol, Sunday B Morning, Flowers-11-73, Screen print on museum board paper, published by Sunday B. Morning. Inscriptions on the back: “Published by Sunday B. Morning” and “Fill in your own signature”. These prints are found in Feldman & Schellmann’s “Andy Warhol’s Catalogue Raisonne”. Certificate of authenticity issued by Sunday B. Morning included.  Price upon request

More Flowers available.

Andy Warhol: "Querelle, Yellow", high-quality art print, 70 x 99 cm. First edition poster for the film "Querelle", 1982, directed by Rainer Werner Fassbinder, starring Brad Davis, Franco Nero and Jeanne Moreau.

 

Andy Warhol: “Querelle, Green”, high-quality art print, 70 x 99 cm. First edition poster for the film “Querelle”, 1982, directed by Rainer Werner Fassbinder, starring Brad Davis, Franco Nero and Jeanne Moreau.

Andy Warhol:”Querelle, Grey”, high-quality art print, 70 x 99 cm. First edition poster for the film “Querelle”, 1982, directed by Rainer Werner Fassbinder, starring Brad Davis, Franco Nero and Jeanne Moreau.  Price upon request

Andy Warhol:“Querelle, Blue”, high-quality art print, 70 x 99 cm. First edition poster for the film “Querelle”, 1982, directed by Rainer Werner Fassbinder, starring Brad Davis, Franco Nero and Jeanne MoreauPrice upon request

 

Andy Warhol, Joseph Beuys Poster, April 1980, Napoli, offset lithograph Paper size: 18.1/2 x 27 inch Images size: 18.1/2 x 27 inchAndy Warhol, Joseph Beuys, Poster by Andy Warhol, April 1980, Napoli, offset lithograph, paper size: 18.1/2 x 27 inch ( 47 x 68,5 cm).  Price upon request

 

 

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